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dc.contributor.authorVuoskoski, Jonna
dc.contributor.authorEerola, Tuomas
dc.date.accessioned2017-11-30T12:52:08Z
dc.date.available2018-05-29T21:35:49Z
dc.date.issued2017
dc.identifier.citationVuoskoski, J., & Eerola, T. (2017). Explaining the enjoyment of negative emotions evoked by the arts : the need to consider empathy and other underlying mechanisms of emotion induction. <i>Behavioral and Brain Sciences</i>, <i>40</i>, Article e378. <a href="https://doi.org/10.1017/s0140525x1700187x" target="_blank">https://doi.org/10.1017/s0140525x1700187x</a>
dc.identifier.otherCONVID_27391404
dc.identifier.otherTUTKAID_75903
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/56072
dc.description.abstractAny model aiming to explain the enjoyment of negative emotions in the context of the arts should consider how works of art are able to induce emotional responses in the first place. For instance, research on empathy and the arts suggests that the psychological processes that mediate the enjoyment of sadness and horror may be fundamentally different.
dc.language.isoeng
dc.publisherCambridge University Press
dc.relation.ispartofseriesBehavioral and Brain Sciences
dc.subject.othernegative emotions
dc.subject.otherarts
dc.subject.otherunderlying mechanisms of emotion induction
dc.titleExplaining the enjoyment of negative emotions evoked by the arts : the need to consider empathy and other underlying mechanisms of emotion induction
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-201711304429
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineMusiikkitiedefi
dc.contributor.oppiaineMusicologyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.date.updated2017-11-30T10:15:08Z
dc.type.coarhttp://purl.org/coar/resource_type/c_dcae04bc
dc.description.reviewstatuspeerReviewed
dc.relation.issn0140-525X
dc.relation.numberinseries0
dc.relation.volume40
dc.type.versionacceptedVersion
dc.rights.copyright© Cambridge University Press 2017. This is a final draft version of an article whose final and definitive form has been published by Cambridge University Press. Published in this repository with the kind permission of the publisher.
dc.rights.accesslevelopenAccessfi
dc.subject.ysoempatia
jyx.subject.urihttp://www.yso.fi/onto/yso/p8625
dc.relation.doi10.1017/s0140525x1700187x
dc.type.okmA2


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