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dc.contributor.authorBurger, Birgitta
dc.contributor.authorThompson, Marc
dc.contributor.authorLuck, Geoff
dc.contributor.authorSaarikallio, Suvi
dc.contributor.authorToiviainen, Petri
dc.date.accessioned2014-12-05T09:33:21Z
dc.date.available2014-12-05T09:33:21Z
dc.date.issued2014
dc.identifier.citationBurger, B., Thompson, M., Luck, G., Saarikallio, S., & Toiviainen, P. (2014). Hunting for the beat in the body: on period and phase locking in music-induced movement. <i>Frontiers in human neuroscience</i>, <i>8</i>(November), Article 903. <a href="https://doi.org/10.3389/fnhum.2014.00903" target="_blank">https://doi.org/10.3389/fnhum.2014.00903</a>
dc.identifier.otherCONVID_23989559
dc.identifier.otherTUTKAID_63719
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/44818
dc.description.abstractMusic has the capacity to induce movement in humans. Such responses during music listening are usually spontaneous and range from tapping to full-body dancing. However, it is still unclear how humans embody musical structures to facilitate entrainment. This paper describes two experiments, one dealing with period locking to different metrical levels in full-body movement and its relationships to beat- and rhythm-related musical characteristics, and the other dealing with phase locking in the more constrained condition of sideways swaying motions. Expected in Experiment 1 was that music with clear and strong beat structures would facilitate more period-locked movement. Experiment 2 was assumed to yield a common phase relationship between participants’ swaying movements and the musical beat. In both experiments optical motion capture was used to record participants’ movements. In Experiment 1 a window-based period-locking probability index related to four metrical levels was established, based on acceleration data in three dimensions. Subsequent correlations between this index and musical characteristics of the stimuli revealed pulse clarity to be related to periodic movement at the tactus level, and low frequency flux to mediolateral and anteroposterior movement at both tactus and bar levels. At faster tempi higher metrical levels became more apparent in participants’ movement. Experiment 2 showed that about half of the participants showed a stable phase relationship between movement and beat, with superior-inferior movement most often being synchronized to the tactus level, whereas mediolateral movement was rather synchronized to the bar level. However, the relationship between movement phase and beat locations was not consistent between participants, as the beat locations occurred at different phase angles of their movements. The results imply that entrainment to music is a complex phenomenon, involving the whole body and occurring at different metrical levels.
dc.language.isoeng
dc.publisherFrontiers Research Foundation
dc.relation.ispartofseriesFrontiers in human neuroscience
dc.relation.urihttp://journal.frontiersin.org/Journal/10.3389/fnhum.2014.00903/abstract
dc.subject.othermusic-induced movement
dc.subject.otherdance
dc.subject.otherentrainment
dc.subject.otherperiod locking
dc.subject.otherphaselocking
dc.titleHunting for the beat in the body: on period and phase locking in music-induced movement
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-201411263373
dc.contributor.laitosMusiikin laitosfi
dc.contributor.laitosDepartment of Musicen
dc.contributor.oppiaineMusiikkikasvatusfi
dc.contributor.oppiaineMusiikkitiedefi
dc.contributor.oppiaineMusic Educationen
dc.contributor.oppiaineMusicologyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.date.updated2014-11-26T16:30:12Z
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.relation.issn1662-5161
dc.relation.numberinseriesNovember
dc.relation.volume8
dc.type.versionpublishedVersion
dc.rights.copyrightCopyright © 2014 Burger, Thompson, Luck, Saarikallio and Toiviainen. This Document is Protected by copyright and was first published by Frontiers. All rights reserved. It is reproduced with permission.This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
dc.rights.accesslevelopenAccessfi
dc.subject.ysoliikkeenkaappaus
jyx.subject.urihttp://www.yso.fi/onto/yso/p27199
dc.rights.urlhttp://creativecommons.org/licenses/by/2.0
dc.relation.doi10.3389/fnhum.2014.00903
dc.type.okmA1


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Copyright © 2014 Burger, Thompson, Luck, Saarikallio and Toiviainen. This Document is Protected by copyright and was first published by Frontiers. All rights reserved. It is reproduced with permission.This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
Except where otherwise noted, this item's license is described as Copyright © 2014 Burger, Thompson, Luck, Saarikallio and Toiviainen. This Document is Protected by copyright and was first published by Frontiers. All rights reserved. It is reproduced with permission.This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.