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dc.contributor.authorPapiotis, Panos
dc.contributor.authorHerrera, Perfecto
dc.contributor.authorMarchini, Marco
dc.date.accessioned2013-05-29T07:11:26Z
dc.date.available2013-05-29T07:11:26Z
dc.date.issued2013
dc.identifier.citationPapiotis, P., Herrera, P., Marchini, M. & Maestre, E. (2013). Aural-Based Detection and Assessment of Real Versus Artificially Synchronized String Quartet Performance. In: Proceedings of the 3rd International Conference on Music & Emotion (ICME3), Jyväskylä, Finland, 11th - 15th June 2013. Geoff Luck & Olivier Brabant (Eds.). University of Jyväskylä, Department of Music.
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/41613
dc.description.abstractIn a musical ensemble musicians can influence each other’s performance in terms not only of timing but also in other aspects of the performance such as dynamics, intonation, and timbre. The goal of this work is to test whether this influence can be perceived by a listener from an audio recording solely. We utilize a set of string quartet recordings where every piece is recorded in two experimental conditions: the solo condition, where each musician performs alone; and the ensemble condition, where the musicians perform together after a brief rehearsal. Using state-of-the-art audio analysis/synthesis methods, we artificially synchronize the record-ings in the solo condition note-by-note, thus generating a set of pseudo-ensemble performances where there is no interaction between the musicians. We then carry out a series of listening tests: first, the subjects are tasked with comparing the quality of the performance and the degree of coordination for the two recordings, without knowing that one of them is artificially synchronized. Then, we reveal to the listeners that one of the two versions is artificially synchronized and ask them to point out which recording is which. The results sug-gest that listeners cannot easily discriminate between the real and artificially synchronized recordings; fur-thermore, the accuracy of their judgements appears to be affected by the listeners' level of musical training as well as the piece that is performed.fi
dc.language.isoeng
dc.publisherUniversity of Jyväskylä, Department of Music
dc.relation.ispartofProceedings of the 3rd International Conference on Music & Emotion (ICME3), Jyväskylä, Finland, 11th - 15th June 2013. Geoff Luck & Olivier Brabant (Eds.). ISBN 978-951-39-5250-1
dc.subject.otherensemble
dc.subject.otherperformance
dc.subject.otherlistening experiment
dc.subject.otherinterdepencence
dc.titleAural-Based Detection and Assessment of Real Versus Artificially Synchronized String Quartet Performance
dc.typehttp://purl.org/eprint/type/ConferencePaper
dc.identifier.urnURN:NBN:fi:jyu-201305291821
dc.type.dcmitypeText
dc.contributor.laitosMusiikin laitosfi
dc.contributor.laitosDepartment of Musicen
dc.type.versionpublishedVersion
dc.rights.accesslevelopenAccessfi
dc.relation.conferenceThe 3rd International Conference on Music & Emotion, Jyväskylä, Finland, June 11-15, 2013


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