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dc.contributor.authorPineda, Roger
dc.date.accessioned2010-11-30T20:19:08Z
dc.date.available2010-11-30T20:19:08Z
dc.date.issued2010
dc.identifier.otheroai:jykdok.linneanet.fi:1143634
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/25646
dc.description.abstractThis master’s thesis explores participatory culture’s social logic and its manifestations in social media. It employs the case study method to examine participatory culture’s patterns of interaction through the experiences of participants in Mobile Monday, a global community sharing common professional interests in mobile communications. It provides an historical perspective on the technology and concepts used in social media, and applies a theoretical framework based on the premise of participatory culture as a manifestation of the postmodern condition, influenced by tacit aesthetics, and dominated by media culture. The framework includes aesthetic strategies related to social media and the elements of social media. The case study addresses questions concerning the relationships between social media’s elements, and how they affect innovation and collective ideology. The study indicates social media usage generates possibilities to gain knowledge and social capital for a larger portion of a participatory community, beyond the control of a select group. It indicates that sharing a common ideology and aesthetic of collectivity promotes a common identity among members of the Mobile Monday community, but their dynamic could also fragment the communal identity. Conclusions from the study imply the need for a strategy of transition to social media sites in order to take full advantage of the potential values, and the need for an understanding of the dynamic and aesthetic of identity fragmentation in participatory cultures such as Mobile Monday to help participants plan for and mitigate conflicts that arise amongst groups with diverse experiences and diverse approaches to creative agency, and exploit their diverse experiences in order to promote cooperation and generate innovations.
dc.format.extent102 sivua
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.rightsThis publication is copyrighted. You may download, display and print it for Your own personal use. Commercial use is prohibited.en
dc.rightsJulkaisu on tekijänoikeussäännösten alainen. Teosta voi lukea ja tulostaa henkilökohtaista käyttöä varten. Käyttö kaupallisiin tarkoituksiin on kielletty.fi
dc.subject.otherMobileMonday (verkkoyhteisö)
dc.subject.otherparticipatory culture
dc.subject.otherpostmodern condition
dc.subject.othertacit aesthetics
dc.titleMobileMonday culture : the lure of participatory space
dc.identifier.urnURN:NBN:fi:jyu-201011303131
dc.type.dcmitypeTexten
dc.type.ontasotPro gradu -tutkielmafi
dc.type.ontasotMaster’s thesisen
dc.contributor.tiedekuntaHumanistinen tiedekuntafi
dc.contributor.tiedekuntaFaculty of Humanitiesen
dc.contributor.laitosTaiteiden ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Art and Cultural Studiesen
dc.contributor.yliopistoUniversity of Jyväskyläen
dc.contributor.yliopistoJyväskylän yliopistofi
dc.contributor.oppiaineDigital Culture (maisteriohjelma)fi
dc.contributor.oppiaineInternational Master's Degree Programme in Digital Cultureen
dc.rights.accesslevelopenAccessfi
dc.type.publicationmasterThesis
dc.contributor.oppiainekoodi319
dc.subject.ysososiaalinen media
dc.subject.ysoverkkoyhteisöt
dc.subject.ysoverkostot
dc.subject.ysomediakulttuuri
dc.format.contentfulltext
dc.type.okmG2


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