Embodied Metre in Spontaneous Movement to Music
Listening to music is often associated with spontaneous body movements, frequently synchronized with its periodic structure. The notion of embodied cognition assumes that intelligent behavior does not emerge from mere passive perception, but requires goal-directed interactions between the organism and its environment. According to this view, one could postulate that we use our bodily movements to help parse the metric structure of music. The aim of the study was to investigate how pulsations on different metrical levels are manifested in spontaneous movement to music. Participants were presented with a piece of instrumental music in 4/4 time, played in five different tempi ranging from 92 BPM to 138 BPM. They were instructed to move to the music, and their movements were recorded with an optical motion capture system. Subsequently, methods of signal processing and Principal components analysis were applied in order to extract eigenmovements synchronized with different metrical levels. We found differences between metric levels in terms of the prevalence of synchronized eigenmovements. For instance, mediolateral movements of arms were found to be frequently synchronized to the tactus level pulse, while rotation and lateral flexion of the upper torso were commonly found to exhibit periods of two and four beats, respectively. The results imply that periodicities on several metric levels are simultaneously present in spontaneous movement to music. This could suggest that the metric structure of music is encoded in such spontaneous movements.
...
Konferenssi
ESCOM 2009 : 7th Triennial Conference of European Society for the Cognitive Sciences of MusicAsiasanat
Metadata
Näytä kaikki kuvailutiedotKokoelmat
- ESCOM 2009 [101]
Lisenssi
Samankaltainen aineisto
Näytetään aineistoja, joilla on samankaltainen nimeke tai asiasanat.
-
Trait Empathy associated with Agreeableness and rhythmic entrainment in a spontaneous movement to music task : Preliminary exploratory investigations
Bamford, Joshua Michael S.; Davidson, Jane W. (SAGE Publications, 2019)The simulation theory of empathy suggests that we use motor processing to empathise, through modelling the actions of others. Similarly, research into embodied music cognition posits that music, particularly musical rhythm, ... -
Embodiment in dance - relationships between expert intentional movement and music in ballet
Martínez, Isabel Cecilia; Epele, Juliette (2009)Embodied music cognition posits that there is a relationship between the emergent properties of a musical piece and the way musicians, dancers and listeners experience them in their body-minds. Musicological analyses assign ... -
Graffiti as a Palimpsest
Myllylä, Mari (Street Art & Urban Creativity, 2018)Graffiti can be viewed as stories about embodied identities of the self and others which can be shared in intersubjective discourse, visual communication of varying content and motives, and utilizing specific technology ... -
NordiCHI 2014 Workshop : Human-Technology Choreographies : re-thinking body, movement and space in interaction design
Nordic Conference on Human-Computer Interaction (University of Jyväskylä, 2014) -
Relationships Between Audio and Movement Features, and Perceived Emotions in Musical Performance
Thompson, Marc R.; Mendoza, Juan Ignacio; Luck, Geoff; Vuoskoski, Jonna K. (SAGE Publications, 2023)A core aspect of musical performance is communicating emotional and expressive intentions to the audience. Recognition of the musician's intentions is constructed from a combination of visual and auditory performance cues, ...
Ellei toisin mainittu, julkisesti saatavilla olevia JYX-metatietoja (poislukien tiivistelmät) saa vapaasti uudelleenkäyttää CC0-lisenssillä.