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dc.contributor.authorFischinger, Timo
dc.date.accessioned2009-08-03T06:22:43Z
dc.date.available2009-08-03T06:22:43Z
dc.date.issued2009
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/20864
dc.description.abstractAn integrative dual-route model of rhythm perception and production is proposed here. Furthermore, an empirical study illustrated in the second part of this paper provides evidence of the existence of two different cognitive pathways. The development of the model is based on fundamental psychological principles of perception, action control and relevant neurobiological findings in rhythm processing and sensorimotor synchronization. Experiments with a dual-task paradigm were used during synchronization tapping to verify the fundamental assumptions of the model. The aim was to examine whether professional drummers show a change in tapping performance when their attention is drawn to another task. In contrast to other experiments on sensorimotor synchronization with non-musicians, the results show a considerable effect on the tapping performance of timing experts for the concurrent condition with tempi between 100 and 120 bpm. Overall, these results provide further evidence of the existence of both, an automatic and a cognitively-controlled timing procedure, which is also in line with the integrative dual-route model of rhythm perception and production mentioned above.en
dc.format.extent114-118
dc.language.isoeng
dc.subject.otherrhythm perception and productionen
dc.subject.othersensorimotor synchronizationen
dc.subject.otherprofessional drummersen
dc.titleAn integrative dual-route model of rhythm perception and productionen
dc.typeArticleen
dc.identifier.urnURN:NBN:fi:jyu-2009411247
dc.type.dcmitypeText
dc.rights.accesslevelopenAccessfi
dc.relation.conferenceESCOM 2009 : 7th Triennial Conference of European Society for the Cognitive Sciences of Music


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  • ESCOM 2009 [101]
    7th Triennial Conference of European Society for the Cognitive Sciences of Music

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