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dc.contributor.authorPryor, Sally
dc.date.accessioned2009-06-03T05:50:53Z
dc.date.available2009-06-03T05:50:53Z
dc.date.issued2007
dc.identifier.citationPryor, S. (2007). Postcards and Supasigns: Extending Integrationist Theory Through the Creation of Interactive Digital Artworks. Human Technology, Volume 3 (1), pp. 54-67. URN:NBN:fi:jyu-200770. Retrieved from http://www.humantechnology.jyu.fi
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/20203
dc.description.abstractIntegrationism is a post-structuralist theory of language and communication. The theory has been applied to a groundbreaking analysis of writing as a form of communication where writing is teased apart from speech and realigned with spatial configurations in general. Although it has many practical applications, this view can be extremely difficult to comprehend when expressed as a very specific form of writing, that is, as written words on paper. A solution to this problem is offered by the creative interaction design of two digital artworks, Postcard From Tunis and Postcards From Writing. The works are interactive multimedia pieces that creatively express the integrationist theory of writing and extend it into the transformations of writing that are possible in the human-computer interface. More generally, the unique rollover-based interfaces of these works both express the integrationist theory of communication and suggest that it is necessary in order to explain the creation of communicative signs that they demonstrate are possible.en
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherUniversity of Jyväskylä, Agora Center
dc.relation.ispartofseriesHuman Technology: An Interdisciplinary Journal on Humans in ICT Environments
dc.relation.urihttp://www.humantechnology.jyu.fi
dc.rightsCC BY-NC 4.0
dc.subject.otherwritingen
dc.subject.otherintegrationismen
dc.subject.otherhuman-computer interfaceen
dc.subject.otherrolloveren
dc.subject.otherinteractive multimediaen
dc.subject.otherdigital arten
dc.titlePostcards and Supasigns : Extending Integrationist Theory Through the Creation of Interactive Digital Artworks
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-200770
dc.relation.issn1795-6889
dc.relation.numberinseries1
dc.relation.volume3
dc.type.versionpublishedVersion
dc.rights.copyright© 2007 Sally Pryor and the Agora Center, University of Jyväskylä
dc.rights.accesslevelopenAccess
dc.format.contentfulltext
dc.rights.urlhttps://creativecommons.org/licenses/by-nc/4.0/


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