2009 Volume 13. Number 2.
Uusimmat aineistot
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Pertinence cognitive des unités sémiotiques temporelles
(2009)Dans la lignée des travaux de Pierre Schaeffer, le laboratoire Musique et Informatique de Marseille (MIM) a mis en évidence des figures temporelles sonores dénommées Unités Sémiotiques Temporelles (UST) qui correspondent ... -
Teacher-pupil-parent triads: A typology of interpersonal interaction in the context of learning a musical instrument
(2009)The main objective of this research was to create a typology of teacher-pupil-parent interpersonal interaction in the context of learning a musical instrument. Three hundred and thirty-seven teacher-pupil-parent triads ... -
The effects of music choice on task performance: A study of the impact of self-selected and experimenter-selected music on driving game performance and experience
(2009)Music listening in everyday life tends to accompany the completion of other everyday activities in a highly personalised manner. However, music and task performance studies have tended to be experimenter-centred and ... -
The influence of melodic and rhythmic redundancies on recognition memory for unknown musical themes
(2009)The aim of this study was to assess the influence of melodic and rhythmic redundancies, and their interaction with tonality, on recognition memory for music. Forty-four non-musicians performed a recognition task with unknown ... -
Long-term melodic expectation: The unexpected observation of distant priming effects
(2009)This report provides a brief account of an experiment whose control conditions produced interestingly counter-intuitive results. The method adapted priming techniques to explore whether imagining well-known melodies ... -
The perception of structural boundaries in melody lines of Western popular music
(2009)Two experiments were conducted to investigate the perception of structural boundaries in six popular music songs. In the segmentation experiment, participants were asked to indicate perceived segment boundaries in monophonic ... -
Expectancy in Sami Yoiks revisited: The role of data-driven and schema-driven knowledge in the formation of melodic expectations
(2009)This study extends a previous study concerning melodic expectations in North Sami yoiks (Krumhansl et al., 2000) in which a comparison between expert and non-expert listeners demonstrated the existence of a core set of ... -
What s your music? Subjective theories of music-creating artists
(2009)In an interview study with 17 music-creating artists (composers of contemporary classical music, electronic music, musicals, movie scores, and jazz musicians) from Southern Germany, three types of music-creating artists ... -
Aesthetic responses to music: A questionnaire study
(2009)We explored the content and structure of the cognitive, knowledge-based concept underlying aesthetic responses to music. To this aim, we asked 290 Finnish students to verbally associate the aesthetic value of music ...