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A Coupled Oscillator Model of Interactive Tapping
(2009)
Background: Synchronization in music has been a popular experimental basis for studying social interactions, as musicians are required to synchronize to each other’s beats and integrate abstract social information in order ...
A military brass band study on Bakhtin - State nation identity and carnival atmosphere in a village
(2009)
Communication, dialogue, carnivalesque, military brass band, M.M. Bakhtin, the identity nation-state
A new method of tonality perception research
(2009)
The methods used in tonality perception research are various, like counting the appearance rate of tonic, accumulating the duration of tones in a scale, the "probe-tone" technique, etc. However, the purpose of different ...
A Psychoacoustic Model of Harmonic Cadences - A Preliminary Report
(2009)
This report presents a psychoacoustically derived computational model of the perceived distance between any two major or minor triads, the degree of activity created by any given pair of triads, and the cadential effectiveness ...
Absolute pitch and tone language - Two new studies
(2009)
Two new studies provide evidence in favor of the hypothesis that absolute pitch is strongly influenced by a speech-related critical period. The first study examined the prevalence of absolute pitch among students in at the ...
Adaptive memory representations of musical tempo and pitch
(2009)
Recent studies showed that the perception of extremely shifted versions of familiar pieces of music affects judgements about the original tempo and pitch. This paper aims to give an overview on musical adaptation effects ...
An approach to Children’s singing between Forty to Fifty Months Old
(2009)
In early childhood, the first vocal attempts follow the general contours of the target melody. Those attempts gradually improve, turning into a more accurate performance both in melodic shape and tonal stability. The aim ...
An exploratory study of gazing behavior during live performance
(2009)
It is known that the visual information given by performers during a performance works as a useful channel of communication to the audience. In my previous studies, many performers referred to the importance of gazing ...
An integrative dual-route model of rhythm perception and production
(2009)
An integrative dual-route model of rhythm perception and production is proposed here. Furthermore, an empirical study illustrated in the second part of this paper provides evidence of the existence of two different cognitive ...
Analysis of corporal gestures in dance students’ improvisations as a response to controlled musical parameters
(2009)
This study addresses the lack of a theoretical basis in dance piano accompaniment music geared towards dance. We study which musical features are perceptually most relevant and prompt specific dance movements and gestures, ...