Show simple item record

dc.contributor.authorMendoza Garay, Juan
dc.date.accessioned2014-06-19T16:41:03Z
dc.date.available2014-06-19T16:41:03Z
dc.date.issued2014
dc.identifier.otheroai:jykdok.linneanet.fi:1437905
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/43811
dc.description.abstractAcousmatic Electroacoustic Music is a form of art in which any sound is regarded to have the potential to be used as a basic unit to build a musical discourse. This study addresses the measurement of three important aspects of perception of Acousmatic Electroacoustic Music: Segmentation, which is the separation of the audio stream into units that could have meaning by themselves or that could be part of larger meaningful structures; Mimesis, which in this context is defined as the perceptual ability of identifying a possible and meaningful source that produced a sound and the action that produced it; Perception of Emotions, which shapes the meaning of perceived events. This document reports the development and adaptation of tools and techniques to perform self-report measurements of these three aspects and the use of them in perceptual experiments with human participants. The results of these experiments suggest that participants' strategies to segment sounds can correspond both to their acoustic features and to their meaning inferred by source and action. Participants' identification of sound source and action can greatly vary and narrative responses suggest that sounds trigger meaning rather than having meaning by themselves. Post-hoc and continuous measurements of perceived emotions were remarkably similar, suggesting that perceived emotions in discrete sounds are established constructs that might not change considerably when acting in context. Finally, it is shown that continuous measurement of Segmentation and Perceived Emotions is reliable only for sounds with a duration over 4 seconds, which leaves an open window for further investigation on the measurement of perception of shorter sonic events.en
dc.format.extent1 verkkoaineisto.
dc.language.isoeng
dc.rightsThis publication is copyrighted. You may download, display and print it for Your own personal use. Commercial use is prohibited.en
dc.rightsJulkaisu on tekijänoikeussäännösten alainen. Teosta voi lukea ja tulostaa henkilökohtaista käyttöä varten. Käyttö kaupallisiin tarkoituksiin on kielletty.fi
dc.subject.otherelektroakustinen musiikki
dc.titleSelf-report measurement of segmentation, mimesis and perceived emotions in acousmatic electroacoustic music
dc.identifier.urnURN:NBN:fi:jyu-201406192112
dc.type.ontasotPro gradufi
dc.type.ontasotMaster's thesisen
dc.contributor.tiedekuntaHumanistinen tiedekuntafi
dc.contributor.tiedekuntaFaculty of Humanitiesen
dc.contributor.laitosMusiikin laitosfi
dc.contributor.laitosDepartment of Musicen
dc.contributor.yliopistoUniversity of Jyväskyläen
dc.contributor.yliopistoJyväskylän yliopistofi
dc.contributor.oppiaineMusic, Mind and Technology (maisteriohjelma)fi
dc.contributor.oppiaineMaster's Degree Programme in Music, Mind and Technologyen
dc.date.updated2014-06-19T16:41:04Z
dc.rights.accesslevelopenAccessfi
dc.contributor.oppiainekoodi3054
dc.subject.ysomusiikki
dc.subject.ysomimesis
dc.subject.ysotunteet
dc.subject.ysosegmentointi


Files in this item

Thumbnail

This item appears in the following Collection(s)

Show simple item record