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dc.contributor.authorMajchrzak, Mirosław
dc.contributor.authorGingras, Bruno
dc.date.accessioned2009-08-03T06:24:43Z
dc.date.available2009-08-03T06:24:43Z
dc.date.issued2009
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/20894
dc.description.abstractThis paper will discuss various instances of enharmonic spellings of chords. Selected characteristic enharmonic chords in compositions of the tonal period will be presented. The paper's main purpose is to show: (1) the importance of the enharmonic spelling of chords/tones in the automated analysis of tonal music, (2) how the analysis of the relative strength of a given key range is modified when we take into account its enharmonic spellings, (3) the problem of enharmonic spelling in characteristic chords (For example in the Tristan chord), (4) the interdependence between the enharmonic spelling in a given piece of music and the whole tonal structure (relationship between given key ranges).en
dc.format.extent280-283
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.rightsIn Copyright
dc.subject.othertonalityen
dc.subject.othercomputational musicologyen
dc.titleImportance of Enharmonic Tone Spelling in Computational Analysis of Tonal Structureen
dc.typeconference paper
dc.identifier.urnURN:NBN:fi:jyu-2009411276
dc.type.dcmitypeText
dc.type.coarhttp://purl.org/coar/resource_type/c_5794
dc.rights.accesslevelopenAccess
dc.relation.conferenceESCOM 2009 : 7th Triennial Conference of European Society for the Cognitive Sciences of Music
dc.format.contentfulltext
dc.rights.urlhttps://rightsstatements.org/page/InC/1.0/


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  • ESCOM 2009 [101]
    7th Triennial Conference of European Society for the Cognitive Sciences of Music

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