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The Pleasant Emotion of Sad Music
(University of Jyväskylä, Department of Music, 2013)
In general, sad music is thought to cause us to experience sadness, which is considered an unpleasant emotion. As a result, the question arises as to why we listen to sad music if it evokes sadness. We hypothesized that felt and perceived emotion...
Using Tags to Select Stimuli in the Study of Music and Emotion
(University of Jyväskylä, Department of Music, 2013)
A wealth of literature on musical emotion exists, including investigation of the use of tags to classify musical emotions. However, the relationship between musical emotions and human annotated information is still unclear. Likewise...
Musical Identity in Fostering Emotional Health
(Oxford University Press, 2017)
This chapter introduces promotion of emotional health as a relevant constituent
of musical identity. The chapter contains discussion about the importance of
emotions as a key constituent of health and wellbein ...
Emotions in Concert : Performers' Experienced Emotions on Stage
(University of Jyväskylä, Department of Music, 2013)
Music is often said to be expressive of emotions. Surprisingly, not much is known about the role of performers’ emotions while performing. Do musicians feel the musical emotions when expressing them? Or has expressive playing nothing to do...
The embodiment of emotion-label words and emotion-laden words : Evidence from late Chinese–English bilinguals
(Frontiers Media, 2023)
Although increasing studies have confirmed the distinction between emotion-label words (words directly label emotional states) and emotion-laden words (words evoke emotions through connotations), the existing evidence is inconclusive...
Film, music and induced mixed-emotion
(2011)
This Master's Thesis examines the relationship between film, music and induced mixed-emotion with particular focus on
the effect of semantic congruency and musical background on emotion ratings. This study provides further ...
Ambivalent Emotions in Music : We Like Sad Music When It Makes Us Happy
(University of Jyväskylä, Department of Music, 2013)
We often react ambivalently to a piece of music, simultaneously experiencing both sadness and happiness, and attributing both emotions to the musical content. Two experiments were conducted (1) to empirically test for ambivalent emotions and (2...
The Contribution of Emotional Intelligence on the Components of Burnout : The Case of Health Care Sector Professionals
(Business and Organization Ethics Network (BON), 2014)
The purpose of this study is to investigate the contribution of emotional intelligence on three components of burnout (emotional exhaustion, depersonalization, and reduced personal accomplishment) in health care professionals. Data were collected...
A Person-Oriented Approach to Diary Data: Children’s Temperamental Negative Emotionality Increases Susceptibility to Emotion Transmission in Father-Child Dyads
(Scandinavian Society for Person-Oriented Research, 2015)
The notion that some individuals are more prone to emotion transmission than others has prompted the need for a person-oriented approach to emotion transmission in parent-child dyads. The present study applied a person-oriented analysis to examine...
Are Musical Emotions Chimerical? Lessons From the Paradoxical Potency of Music Therapy
(University of Jyväskylä, Department of Music, 2013)
The dominant psychological model of emotion posits that a cognitive process (the appraisal) precedes, and results in, the corresponding emotion, including any induced state of physiological arousal: the cognitive com-ponent of emotion mediates...