Näytä suppeat kuvailutiedot

dc.contributor.authorHartmann, Martin
dc.contributor.authorMavrolampados, Anastasios
dc.contributor.authorToiviainen, Petri
dc.contributor.authorSaarikallio, Suvi
dc.contributor.authorFoubert, Katrien
dc.contributor.authorBrabant, Olivier
dc.contributor.authorSnape, Nerdinga
dc.contributor.authorAla-Ruona, Esa
dc.contributor.authorGold, Christian
dc.contributor.authorErkkilä, Jaakko
dc.date.accessioned2022-04-19T09:41:55Z
dc.date.available2022-04-19T09:41:55Z
dc.date.issued2022
dc.identifier.citationHartmann, M., Mavrolampados, A., Toiviainen, P., Saarikallio, S., Foubert, K., Brabant, O., Snape, N., Ala-Ruona, E., Gold, C., & Erkkilä, J. (2022). Musical interaction in music therapy for depression treatment. <i>Psychology of Music</i>, <i>51</i>(1), 33-50. <a href="https://doi.org/10.1177/03057356221084368" target="_blank">https://doi.org/10.1177/03057356221084368</a>
dc.identifier.otherCONVID_117789830
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/80606
dc.description.abstractMusic therapy is efficacious for the treatment of depression. Compared to other psychotherapeutic forms, it allows for the emergence of various modes of mutual interaction, thus enabling multiple channels for emotional expression and fostering therapeutic alliance. Although musical interaction patterns between client and therapist have been regarded as predictors of therapeutic outcome in depression, this has not yet been systematically investigated. We aim to address this gap by analyzing the possible linkage between musical interaction features and changes in depression score. In a clinical trial, digital piano improvisations from 58 Finnish clients and their therapists were recorded over 12 sessions of music therapy lasting 6 weeks. Subsequently, a variety of symbolic features describing pitch, rhythm, duration, and velocity were extracted from the improvisations. We observed a number of relationships between client–therapist interaction and clinical improvement. Clients with largest improvements displayed higher overall interaction, particularly more musical interaction in the middle of the therapy process than in the beginning and end. In contrast, clients with lower depression change score exhibited overall lower interaction and yielded other temporal profiles of interaction. The association between clinical improvement and an inverted U-shaped curve of musical interaction is discussed in the light of process-outcome literature.en
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherSAGE Publications
dc.relation.ispartofseriesPsychology of Music
dc.rightsCC BY 4.0
dc.subject.otherarts and health
dc.subject.otherimprovisation
dc.subject.otherinteraction
dc.subject.otherinterventions
dc.subject.othermental health
dc.subject.othermusic therapy
dc.subject.otherrandomized controlled trials
dc.titleMusical interaction in music therapy for depression treatment
dc.typeresearch article
dc.identifier.urnURN:NBN:fi:jyu-202204192291
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineSecure Communications Engineering and Signal Processingfi
dc.contributor.oppiaineMusiikkiterapiafi
dc.contributor.oppiaineTekniikkafi
dc.contributor.oppiaineMusiikkikasvatusfi
dc.contributor.oppiaineMusiikkitiedefi
dc.contributor.oppiaineMusic, Mind and Technologyfi
dc.contributor.oppiaineSecure Communications Engineering and Signal Processingen
dc.contributor.oppiaineMusic Therapyen
dc.contributor.oppiaineEngineeringen
dc.contributor.oppiaineMusic Educationen
dc.contributor.oppiaineMusicologyen
dc.contributor.oppiaineMusic, Mind and Technologyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.format.pagerange33-50
dc.relation.issn0305-7356
dc.relation.numberinseries1
dc.relation.volume51
dc.type.versionpublishedVersion
dc.rights.copyright© 2022 the Authors
dc.rights.accesslevelopenAccessfi
dc.type.publicationarticle
dc.relation.grantnumber346210
dc.relation.grantnumber314651
dc.relation.grantnumber332331
dc.relation.grantnumber316912
dc.relation.grantnumber298678
dc.subject.ysoimprovisointi
dc.subject.ysomusiikkiterapia
dc.subject.ysomasennus
dc.subject.ysohoitotulokset
dc.subject.ysososiaalinen vuorovaikutus
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p14993
jyx.subject.urihttp://www.yso.fi/onto/yso/p16380
jyx.subject.urihttp://www.yso.fi/onto/yso/p7995
jyx.subject.urihttp://www.yso.fi/onto/yso/p25941
jyx.subject.urihttp://www.yso.fi/onto/yso/p10590
dc.rights.urlhttps://creativecommons.org/licenses/by/4.0/
dc.relation.doi10.1177/03057356221084368
dc.relation.funderResearch Council of Finlanden
dc.relation.funderResearch Council of Finlanden
dc.relation.funderResearch Council of Finlanden
dc.relation.funderResearch Council of Finlanden
dc.relation.funderResearch Council of Finlanden
dc.relation.funderSuomen Akatemiafi
dc.relation.funderSuomen Akatemiafi
dc.relation.funderSuomen Akatemiafi
dc.relation.funderSuomen Akatemiafi
dc.relation.funderSuomen Akatemiafi
jyx.fundingprogramCentre of Excellence, AoFen
jyx.fundingprogramPostdoctoral Researcher, AoFen
jyx.fundingprogramAcademy Project, AoFen
jyx.fundingprogramAcademy Project, AoFen
jyx.fundingprogramAcademy Project, AoFen
jyx.fundingprogramHuippuyksikkörahoitus, SAfi
jyx.fundingprogramTutkijatohtori, SAfi
jyx.fundingprogramAkatemiahanke, SAfi
jyx.fundingprogramAkatemiahanke, SAfi
jyx.fundingprogramAkatemiahanke, SAfi
jyx.fundinginformationThe author(s) disclosed receipt of the following financial support for the research, authorship, and/or publication of this article: This work was supported by the Academy of Finland (Project Numbers: 298678, 314651, 316912, 332331, and 346210).
dc.type.okmA1


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