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dc.contributor.authorLondon, Justin
dc.contributor.authorNymoen, Kristian
dc.contributor.authorLangerød, Martin Torvik
dc.contributor.authorThompson, Marc
dc.contributor.authorCode, David Loberg
dc.contributor.authorDanielsen, Anne
dc.date.accessioned2020-01-17T11:07:04Z
dc.date.available2020-05-10T21:35:17Z
dc.date.issued2019
dc.identifier.citationLondon, J., Nymoen, K., Langerød, M. T., Thompson, M., Code, D. L., & Danielsen, A. (2019). A comparison of methods for investigating the perceptual center of musical sounds. <i>Attention, Perception and Psychophysics</i>, <i>81</i>(6), 2088-2101. <a href="https://doi.org/10.3758/s13414-019-01747-y" target="_blank">https://doi.org/10.3758/s13414-019-01747-y</a>
dc.identifier.otherCONVID_30671586
dc.identifier.otherTUTKAID_81422
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/67359
dc.description.abstractIn speech and music, the acoustic and perceptual onset(s) of a sound are usually not congruent with its perceived temporal location. Rather, these "P-centers" are heard some milliseconds after the acoustic onset, and a variety of techniques have been used in speech and music research to find them. Here we report on a comparative study that uses various forms of the method of adjustment (aligning a click or filtered noise in-phase or anti-phase to a repeated target sound), as well as tapping in synchrony with a repeated target sound. The advantages and disadvantages of each method and probe type are discussed, and then all methods are tested using a set of musical instrument sounds that systematically vary in terms of onset/rise time (fast vs. slow), duration (short vs. long), and center frequency (high vs. low). For each method, the dependent variables were (a) the mean P-center location found for each stimulus type, and (b) the variability of the mean P-center location found for each stimulus type. Interactions between methods and stimulus categories were also assessed. We show that (a) in-phase and anti-phase methods of adjustment produce nearly identical results, (b) tapping vs. click alignment can provide different yet useful information regarding P-center locations, (c) the method of adjustment is sensitive to different sounds in terms of variability while tapping is not, and (d) using filtered noise as an alignment probe yields consistently earlier probe-onset locations in comparison to using a click as a probe.fi
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherSpringer New York LLC
dc.relation.ispartofseriesAttention, Perception and Psychophysics
dc.rightsIn Copyright
dc.subject.otherP-center
dc.subject.othertapping task
dc.subject.otheralignment task
dc.subject.othernegative mean asynchrony
dc.subject.othermicrotiming
dc.titleA comparison of methods for investigating the perceptual center of musical sounds
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-202001171291
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineMusiikkitiedefi
dc.contributor.oppiaineMusicologyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.date.updated2020-01-17T10:15:13Z
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.format.pagerange2088-2101
dc.relation.issn1943-3921
dc.relation.numberinseries6
dc.relation.volume81
dc.type.versionacceptedVersion
dc.rights.copyright© The Psychonomic Society, Inc. 2019
dc.rights.accesslevelopenAccessfi
dc.subject.ysorytmi
dc.subject.ysomusiikkipsykologia
dc.subject.ysotutkimusmenetelmät
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p11344
jyx.subject.urihttp://www.yso.fi/onto/yso/p13805
jyx.subject.urihttp://www.yso.fi/onto/yso/p415
dc.rights.urlhttp://rightsstatements.org/page/InC/1.0/?language=en
dc.relation.doi10.3758/s13414-019-01747-y
dc.type.okmA1


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