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dc.contributor.authorMaksimainen, Johanna P.
dc.contributor.authorEerola, Tuomas
dc.contributor.authorSaarikallio, Suvi H.
dc.date.accessioned2019-09-19T05:51:20Z
dc.date.available2019-09-19T05:51:20Z
dc.date.issued2019
dc.identifier.citationMaksimainen, J. P., Eerola, T., & Saarikallio, S. H. (2019). Ambivalent Emotional Experiences of Everyday Visual and Musical Objects. <i>Sage Open</i>, <i>9</i>(3). <a href="https://doi.org/10.1177/2158244019876319" target="_blank">https://doi.org/10.1177/2158244019876319</a>
dc.identifier.otherCONVID_32884642
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/65566
dc.description.abstractArt brings rich, pleasurable experiences to our daily lives. However, many theories of art and aesthetics focus on specific strong experiences—in the contexts of museums, galleries, and concert halls and the aesthetic perception of canonized arts—disregarding the impact of daily experiences. Furthermore, pleasure is often treated as a simplistic concept of merely positive affective character, yet recent psychological research has revealed the experience of pleasure is far more complicated. This study explored the nature of pleasure evoked by everyday aesthetic objects. A mixture of statistical and qualitative methods was applied in the analysis of the data collected through a semi-structured online survey (N = 464). The result asserts the experience of emotional ambivalence occurred and was composed of a variety of nuanced emotions and related association, rather than just a combination of contradicting emotions. Such paradoxical pleasure is defined as a self-conscious hedonic exposure to negative emotions in art reception. The study also depicted four types of attitudinal ambivalence: loss, diversity, socio-ideology, and distance, reflecting contextual elements intertwined into experience, and the connection between ambivalence and intense emotional experience.en
dc.format.mimetypeapplication/pdf
dc.languageeng
dc.language.isoeng
dc.publisherSage Publications
dc.relation.ispartofseriesSage Open
dc.rightsCC BY 4.0
dc.subject.otherambivalence
dc.subject.otherarts
dc.subject.otherattitude
dc.subject.otherdaily life
dc.subject.otherexperience
dc.subject.otheremotions
dc.subject.othermusic
dc.subject.otherpleasure
dc.titleAmbivalent Emotional Experiences of Everyday Visual and Musical Objects
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-201909194213
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosYhteiskuntatieteiden ja filosofian laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.laitosDepartment of Social Sciences and Philosophyen
dc.contributor.oppiaineMusiikkikasvatusfi
dc.contributor.oppiaineSosiologiafi
dc.contributor.oppiaineMusic Educationen
dc.contributor.oppiaineSosiologyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.relation.issn2158-2440
dc.relation.numberinseries3
dc.relation.volume9
dc.type.versionpublishedVersion
dc.rights.copyright© The Author(s) 2019
dc.rights.accesslevelopenAccessfi
dc.relation.grantnumber0E8B39,EO1503,331D5B
dc.subject.ysomielihyvä
dc.subject.ysotaiteenlajit
dc.subject.ysomusiikki
dc.subject.ysoambivalenssi
dc.subject.ysoasenteet
dc.subject.ysotaidekokemukset
dc.subject.ysotunteet
dc.subject.ysokokemukset
dc.subject.ysoarkielämä
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p12544
jyx.subject.urihttp://www.yso.fi/onto/yso/p20653
jyx.subject.urihttp://www.yso.fi/onto/yso/p1808
jyx.subject.urihttp://www.yso.fi/onto/yso/p26852
jyx.subject.urihttp://www.yso.fi/onto/yso/p5619
jyx.subject.urihttp://www.yso.fi/onto/yso/p27342
jyx.subject.urihttp://www.yso.fi/onto/yso/p3485
jyx.subject.urihttp://www.yso.fi/onto/yso/p3209
jyx.subject.urihttp://www.yso.fi/onto/yso/p7374
dc.rights.urlhttps://creativecommons.org/licenses/by/4.0/
dc.relation.doi10.1177/2158244019876319
dc.relation.funderKoneen Säätiöfi
dc.relation.funderKone Foundationen
jyx.fundingprogramSäätiöfi
jyx.fundingprogramFoundationen
jyx.fundinginformationThis work was supported by Kone Foundation (grant no. 331d5b).
dc.type.okmA1


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