Jyväskylän yliopisto | JYX-julkaisuarkisto

  • suomi  | Anna palautetta |
    • suomi
    • English
 
  • Kirjaudu
JavaScript is disabled for your browser. Some features of this site may not work without it.
Näytä aineisto 
  • JYX
  • Opinnäytteet
  • Pro gradu -tutkielmat
  • Näytä aineisto
JYX > Opinnäytteet > Pro gradu -tutkielmat > Näytä aineisto

Playing with feeling : the influence of felt and perceived emotions on movement features in piano performances

Thumbnail
Katso/Avaa
2.5Mb

Lataukset:  
Show download detailsHide download details  
Tekijät
Czepiel, Anna
Päivämäärä
2019
Oppiaine
Music, Mind and Technology (maisteriohjelma)Master's Degree Programme in Music, Mind and Technology
Tekijänoikeudet
Julkaisu on tekijänoikeussäännösten alainen. Teosta voi lukea ja tulostaa henkilökohtaista käyttöä varten. Käyttö kaupallisiin tarkoituksiin on kielletty.

 
This thesis studied the influence of - and combinations of - felt and perceived emotion on performer movement. Pianists played a piece with which they had an emotional connection in the following conditions: Technical (focusing on technical aspects), Expressive (expressing the music) and Emotional (feeling the emotion of the music). Thirty-six movement features (amount of movement, jerkiness of movement and postural features) were extracted from Motion Capture data and compared between different emotion types: 1) positive and negative felt emotion, 2) music-related and performance-related felt emotions, and 3) a combination of felt and perceived emotion (arousal and valence levels in the music). Positive emotions during a performance were related to expressive movement. Performance-related negative emotions (e.g. nervousness) were related to jerkiness of wrists whereas music-related negative emotions (e.g. feeling sadness of the music) were related to postural features. Expressive playing elicited the most expressive movement, whereas feeling emotion of the music elicited the most fluctuations of head tilt and the least jerkiness of technical movements. Interactions of perceived and felt emotions during performance seemed to also be reflected in movement. Although high arousal music elicited the most expressive movement in the Expressive condition, in the Technical and Emotional conditions, some expressive movements were significantly higher in the low arousal music compared to high arousal music. This difference in the Technical condition may be explained by the fact that expressive movement may facilitate the sound-production of the slow notes of low arousal music, but hinder execution of fast music typical in high arousal music. The difference in the Emotional condition may be a result of expressive movements reflecting a mixture of positive and negative felt emotion: the interaction of perceived emotion (e.g sadness of the music), aesthetic music-related emotion and positive performance-related emotions (e.g. enjoying the beauty of the music). Results also suggest that there are differences in jerkiness and postural features when expressing compared to feeling emotion when performing, especially in high arousal and high valence music as well as music of more nuanced mixed emotions (e.g. low arousal/high valence, nostalgia). ...
Asiasanat
MoCap piano performance soittaminen ilmaisu musiikki tunteet liikkeet playing an instrument expression (communication) music emotions movements
URI

http://urn.fi/URN:NBN:fi:jyu-201905292855

Metadata
Näytä kaikki kuvailutiedot
Kokoelmat
  • Pro gradu -tutkielmat [23424]

Samankaltainen aineisto

Näytetään aineistoja, joilla on samankaltainen nimeke tai asiasanat.

  • Performers' emotions in expressive performance : sound, movement, and perception 

    Van Zijl, Anemone G. W. (University of Jyväskylä, 2014)
  • Expressive gestures in piano performance 

    Thompson, Marc (2007)
  • Liikeanalyysi masentuneiden ja ei-masentuneiden musiikista havaitsemien perustunteiden ilmaisusta liikkeessä 

    Leinonen, Outi (2013)
    Leinonen, Outi (2013). Liikeanalyysi masentuneiden ja ei-masentuneiden musiikista havait-semien perustunteiden ilmaisusta liikkeessä. Liikuntakasvatuksen laitos, Jyväskylän yliopisto, liikuntapedagogiikan pro gradu -tutkielma, ...
  • Creating a musically expressive performance : a study of vocalists' use of emotions in performance preparation 

    Condon, Shawn Michael (2015)
    Musicians and educators understand the importance of expressivity in vocal performance. Despite the acceptance of expressivity as a crucial element in musical performance, educators have reported addressing it only cursorily ...
  • Move the way you feel : effects of musical features, perceived emotions, and personality on music-induced movement 

    Burger, Birgitta (University of Jyväskylä, 2013)
  • Selaa aineistoja
  • Selaa aineistoja
  • Artikkelit
  • E-kirjat
  • Esitelmät ja posterit
  • Historialliset kartat
  • Julkaisusarjat
  • Konferenssit ja seminaarit
  • Lehdet
  • Opinnäytteet
  • Oppimateriaalit
  • Nuotit ja musiikki
  • Tutkimusdata
  • Tutkimusraportit
  • Valokuvat

Selaa

Kaikki aineistotKokoelmaluetteloJulkaisupäivätTekijätAsiasanatJulkaistuLaitosOppiaine

Omat tiedot

Kirjaudu sisään

Tilastot

Tarkastele käyttötilastoja
  • Kuinka julkaista JYXissä?
  • Rinnakkais­tallentaminen
  • Opinnäytteiden julkaisu
  • Väitöskirjojen julkaisu
  • Julkaisupalvelut

Avoin tiede JYU:ssa
 
Tietosuojailmoitus

Saavutettavuusseloste

Ellei toisin mainittu, julkisesti saatavilla olevia JYX-metatietoja (poislukien tiivistelmät) saa vapaasti uudelleenkäyttää CC0-lisenssillä.
Open Science Centre