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dc.contributor.authorCarlson, Emily
dc.contributor.authorBurger, Birgitta
dc.contributor.authorToiviainen, Petri
dc.date.accessioned2018-11-16T08:05:20Z
dc.date.available2018-11-16T08:05:20Z
dc.date.issued2018
dc.identifier.citationCarlson, E., Burger, B., & Toiviainen, P. (2018). Dance Like Someone is Watching : A Social Relations Model Study of Music-Induced Movement. <i>Music and Science</i>, <i>1</i>, 1-16. <a href="https://doi.org/10.1177/2059204318807846" target="_blank">https://doi.org/10.1177/2059204318807846</a>
dc.identifier.otherCONVID_28718239
dc.identifier.otherTUTKAID_79499
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/60204
dc.description.abstractAlthough dancing often takes place in social contexts such as a club or party, previous study of such music-induced movement has focused mainly on individuals. The current study explores music-induced movement in a naturalistic dyadic context, focusing on the influence of personality, using five-factor model (FFM) traits, and trait empathy on participants’ responses to their partners. Fifty-four participants were recorded using motion capture while dancing to music excerpts alone and in dyads with three different partners, using a round-robin approach. Analysis using the Social Relations Model (SRM) suggested that the unique combination of each pair caused more variation in participants’ amount of movement than did individual factors. Comparison with self-reported personality and empathy measures provided some preliminary insights into the role of individual differences in such interaction. Self-reported empathy was linked to greater differences in amount of movement in responses to different partners. When looking at males only, this effect persisted for the whole body, head, and hands. For females, there was a significant relationship between participants’ Agreeableness (an FFM trait) and their partners’ head movements, suggesting that head movement may function socially to indicate affiliation in a dance context. Although consisting of modest effect sizes resulting from multiple comparisons, these results align with current theory and suggest possible ways that social context may affect music-induced movement and provide some direction for future study of the topic.fi
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.publisherSage Publications Ltd.
dc.relation.ispartofseriesMusic and Science
dc.rightsCC BY-NC
dc.subject.otherdance
dc.subject.otherdyadic movement
dc.titleDance Like Someone is Watching : A Social Relations Model Study of Music-Induced Movement
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-201811154737
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineMusiikkitiedefi
dc.contributor.oppiaineMusicologyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.date.updated2018-11-15T13:15:26Z
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.format.pagerange1-16
dc.relation.issn2059-2043
dc.relation.numberinseries0
dc.relation.volume1
dc.type.versionpublishedVersion
dc.rights.copyright© The Author(s) 2018.
dc.rights.accesslevelopenAccessfi
dc.subject.ysopersoonallisuus
dc.subject.ysososiaaliset suhteet
dc.subject.ysoliikkeenkaappaus
dc.subject.ysotanssi
dc.subject.ysoliike
dc.subject.ysoempatia
dc.format.contentfulltext
jyx.subject.urihttp://www.yso.fi/onto/yso/p7075
jyx.subject.urihttp://www.yso.fi/onto/yso/p411
jyx.subject.urihttp://www.yso.fi/onto/yso/p27199
jyx.subject.urihttp://www.yso.fi/onto/yso/p1278
jyx.subject.urihttp://www.yso.fi/onto/yso/p706
jyx.subject.urihttp://www.yso.fi/onto/yso/p8625
dc.rights.urlhttps://creativecommons.org/licenses/by-nc/4.0/
dc.relation.doi10.1177/2059204318807846
dc.type.okmA1


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