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dc.contributor.advisorBurunat, Iballa
dc.contributor.advisorBrattico, Elvira
dc.contributor.advisorToiviainen, Petri
dc.contributor.authorOudyk, Kendra
dc.date.accessioned2018-09-12T08:20:21Z
dc.date.available2018-09-12T08:20:21Z
dc.date.issued2018
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/59479
dc.description.abstractBackground: Personality is related to emotional tendencies, and emotion is an important part of musical experiences. In particular, the personality traits Extraversion and Neuroticism have been respectively related to positive and negative emotionality (Larsen & Ketelaar, 1991) and to neural responses to positive and negative emotional stimuli (e.g., Canli et al., 2001). Openness to Experience is not characterized by affective tendencies, but it has been related aesthetic sensitivity (Costa Jr & McCrae, 1992) and to the intensity of music-induced emotions (Vuoskoski & Eerola, 2011a). Research on the role of Extraversion and Neuroticism in neural responses to emotion in music has given some null (Koelsch, Skouras, & Jentschke, 2013) and unexpected findings (Park et al., 2013); this research may be extended with different methodological choices, particularly with a larger sample size and with a method of selecting Regions of Interest (ROIs) that is intended for investigating individual differences in brain function (Omura et al., 2005). Aims: (1) To investigate the role of Extraversion, Neuroticism, and Openness to Experience in brain activations during implicit perception of emotions in music, and (2) to implement a data-driven method of selecting regions of interest as regions of variance (ROV; Omura et al., 2005). Hypotheses: It was predicted that Extraversion and Neuroticism would be related to brain activity during perception of positively- and negatively-valenced musical stimuli, respectively. The investigation of Openness was exploratory as this trait is not characteristically related to affect. No specific hypotheses were tested with regards to brain areas, as the method for selecting regions of interest was data-driven. Methods: Fifty-five participants were scanned using functional Magnetic Resonance Imaging while they listened to thirty, 4-second music excerpts portraying happiness, sadness, or fear, and they were asked to indicate the number of instruments following each excerpt. The Big Five Questionnaire (John & Srivastava, 1999) was used to measure personality traits. Regions of interest were selected as clusters of voxels with higher between-subjects variance in activation, relative to the mean within-subjects residual variance in activation, and a whole-brain voxelwise analysis additionally run for comparison. Results: In the ROV analysis, Neuroticism was positively related to activation during Sad music in the left supramarginal and angular gyri (p<.001, corrected), and Openness was positively related to activation during Happy music in the region of the left superior temporal gyrus, extending into the temporal pole, middle temporal gyrus, Heschl’s gyrus, postcentral gyrus, supramarginal gyrus, and rolandic operculum (p<.05, corrected). In the whole-brain analysis, similar results were found for Neuroticism but not for Openness. Discussion: These results support previous findings of trait-congruent links between personality and neural responses to emotional stimuli. Additionally, they indicate the usefulness of the ROV method for investigating individual differences; the ROV analysis was consistent with the robust whole-brain results and was additionally sensitive to clusters that did not survive whole-brain correction for multiple comparisons.en
dc.format.extent98
dc.format.mimetypeapplication/pdf
dc.language.isoen
dc.subject.otherindividual differences
dc.subject.otherregions of variance
dc.titleHow personality modulates brain responses to emotion in music : a regions-of-variance approach
dc.identifier.urnURN:NBN:fi:jyu-201809124085
dc.type.ontasotPro gradu -tutkielmafi
dc.type.ontasotMaster’s thesisen
dc.contributor.tiedekuntaHumanistis-yhteiskuntatieteellinen tiedekuntafi
dc.contributor.tiedekuntaFaculty of Humanities and Social Sciencesen
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.yliopistoJyväskylän yliopistofi
dc.contributor.yliopistoUniversity of Jyväskyläen
dc.contributor.oppiaineMusic, Mind and Technology (maisteriohjelma)fi
dc.contributor.oppiaineMaster's Degree Programme in Music, Mind and Technologyen
dc.rights.copyrightJulkaisu on tekijänoikeussäännösten alainen. Teosta voi lukea ja tulostaa henkilökohtaista käyttöä varten. Käyttö kaupallisiin tarkoituksiin on kielletty.fi
dc.rights.copyrightThis publication is copyrighted. You may download, display and print it for Your own personal use. Commercial use is prohibited.en
dc.type.publicationmasterThesis
dc.contributor.oppiainekoodi3054
dc.subject.ysopersoonallisuus
dc.subject.ysotunteet
dc.subject.ysomusiikki
dc.subject.ysotoiminnallinen magneettikuvaus
dc.subject.ysoaivot
dc.subject.ysoaivotutkimus
dc.subject.ysoaivokuori
dc.subject.ysoärsykkeet
dc.subject.ysopersoonallisuuden piirteet
dc.subject.ysoneurotieteet
dc.subject.ysopsykofysiologia
dc.subject.ysopersonality
dc.subject.ysoemotions
dc.subject.ysomusic
dc.subject.ysofunctional magnetic resonance imaging
dc.subject.ysobrain
dc.subject.ysobrain research
dc.subject.ysocerebral cortex
dc.subject.ysostimuli (role related to effect)
dc.subject.ysopersonality traits
dc.subject.ysoneurosciences
dc.subject.ysopsychophysiology
dc.format.contentfulltext
dc.type.okmG2


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