Näytä suppeat kuvailutiedot

dc.contributor.authorFachner, Jörg
dc.contributor.authorErkkilä, Jaakko
dc.contributor.authorBrabant, Olivier
dc.contributor.editorMacDonald, Raymond
dc.contributor.editorHargreaves, David J.
dc.contributor.editorMiell, Dorothy
dc.date.accessioned2018-01-05T10:34:36Z
dc.date.available2019-02-24T22:35:33Z
dc.date.issued2017
dc.identifier.citationFachner, J., Erkkilä, J., & Brabant, O. (2017). On Musical Identities, Social Pharmacology, and Intervention Timing in Music Therapy. In R. MacDonald, D. J. Hargreaves, & D. Miell (Eds.), <i>Handbook of Musical Identities</i> (pp. 682-701). Oxford University Press. <a href="https://doi.org/10.1093/acprof:oso/9780199679485.003.0037" target="_blank">https://doi.org/10.1093/acprof:oso/9780199679485.003.0037</a>
dc.identifier.otherCONVID_26555128
dc.identifier.otherTUTKAID_73021
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/56622
dc.description.abstractHow do antidepressants or recreational drugs influence the music experience in the context of therapy or during music performance and listening? Using drugs to enhance performance we can describe a complementary interaction between lifestyle, personal identity and drugs, influencing musical identities in creative processes. Treating depressed clients with individual psychodynamic music therapy (MT) worked well with those also taking anti-depressants, but also initiated a process in which the need for medication started to decrease. While antidepressants may help to keep anxiety, energy loss and rumination within limits, MT induces a process in which emotional limitations are likely to become the target of change, mediated via work on the musical identity of the client, as exemplified in a case example Research on chronobiological mood bias suggests that chronobiological conditions, drug profiles and musical identity should be taken into account. This chronobiological conditions, drug profiles and musical identity into account may help to identify performance peaks and optimise treatment schedules.
dc.format.extent896
dc.language.isoeng
dc.publisherOxford University Press
dc.relation.ispartofHandbook of Musical Identities
dc.subject.otheridentity
dc.subject.othersocial pharmacology
dc.titleOn Musical Identities, Social Pharmacology, and Intervention Timing in Music Therapy
dc.typebookPart
dc.identifier.urnURN:NBN:fi:jyu-201801051065
dc.contributor.laitosMusiikin, taiteen ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Music, Art and Culture Studiesen
dc.contributor.oppiaineMusiikkiterapiafi
dc.contributor.oppiaineMusic Therapyen
dc.type.urihttp://purl.org/eprint/type/BookItem
dc.date.updated2018-01-05T07:15:03Z
dc.relation.isbn978-0-19-967948-5
dc.type.coarhttp://purl.org/coar/resource_type/c_3248
dc.description.reviewstatuspeerReviewed
dc.format.pagerange682-701
dc.type.versionacceptedVersion
dc.rights.copyright© Oxford University Press 2017. This is a final draft version of an article whose final and definitive form has been published by OUP. Published in this repository with the kind permission of the publisher.
dc.rights.accesslevelopenAccessfi
dc.subject.ysomusiikki
dc.subject.ysoidentiteetti
dc.subject.ysomusiikkiterapia
dc.subject.ysointerventio
jyx.subject.urihttp://www.yso.fi/onto/yso/p1808
jyx.subject.urihttp://www.yso.fi/onto/yso/p9743
jyx.subject.urihttp://www.yso.fi/onto/yso/p16380
jyx.subject.urihttp://www.yso.fi/onto/yso/p41
dc.relation.doi10.1093/acprof:oso/9780199679485.003.0037
dc.type.okmA3


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