Näytä suppeat kuvailutiedot

dc.contributor.authorBrattico, Elvira
dc.contributor.authorBogert, Brigitte
dc.contributor.authorAlluri, Vinoo
dc.contributor.authorTervaniemi, Mari
dc.contributor.authorEerola, Tuomas
dc.contributor.authorJacobsen, Thomas
dc.date.accessioned2016-07-04T04:04:29Z
dc.date.available2016-07-04T04:04:29Z
dc.date.issued2015
dc.identifier.citationBrattico, E., Bogert, B., Alluri, V., Tervaniemi, M., Eerola, T., & Jacobsen, T. (2015). It’s sad but I like it : the neural dissociation between musical emotions and liking in experts and laypersons. <i>Frontiers in Human Neuroscience</i>, <i>9</i>, Article 676. <a href="https://doi.org/10.3389/fnhum.2015.00676" target="_blank">https://doi.org/10.3389/fnhum.2015.00676</a>
dc.identifier.otherCONVID_25416235
dc.identifier.otherTUTKAID_68454
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/50692
dc.description.abstractEmotion-related areas of the brain, such as the medial frontal cortices, amygdala, and striatum, are activated during listening to sad or happy music as well as during listening to pleasurable music. Indeed, in music, like in other arts, sad and happy emotions might co-exist and be distinct from emotions of pleasure or enjoyment. Here we aimed at discerning the neural correlates of sadness or happiness in music as opposed those related to musical enjoyment. We further investigated whether musical expertise modulates the neural activity during affective listening of music. To these aims, 13 musicians and 16 non-musicians brought to the lab their most liked and disliked musical pieces with a happy and sad connotation. Based on a listening test, we selected the most representative 18 sec excerpts of the emotions of interest for each individual participant. Functional magnetic resonance imaging (fMRI) recordings were obtained while subjects listened to and rated the excerpts. The cortico-thalamo-striatal reward circuit and motor areas were more active during liked than disliked music, whereas only the auditory cortex and the right amygdala were more active for disliked over liked music. These results discern the brain structures responsible for the perception of sad and happy emotions in music from those related to musical enjoyment. We also obtained novel evidence for functional differences in the limbic system associated with musical expertise, by showing enhanced liking-related activity in fronto-insular and cingulate areas in musicians.
dc.language.isoeng
dc.publisherFrontiers Research Foundation
dc.relation.ispartofseriesFrontiers in Human Neuroscience
dc.subject.otheremotion perception
dc.subject.otherliking
dc.subject.otherfMRI
dc.subject.othersalience network
dc.subject.otherlimbic system
dc.titleIt’s sad but I like it : the neural dissociation between musical emotions and liking in experts and laypersons
dc.typearticle
dc.identifier.urnURN:NBN:fi:jyu-201607013440
dc.contributor.laitosMusiikin laitosfi
dc.contributor.laitosDepartment of Musicen
dc.contributor.oppiaineMusiikkitiedefi
dc.contributor.oppiaineMusicologyen
dc.type.urihttp://purl.org/eprint/type/JournalArticle
dc.date.updated2016-07-01T12:15:03Z
dc.type.coarhttp://purl.org/coar/resource_type/c_2df8fbb1
dc.description.reviewstatuspeerReviewed
dc.relation.issn1662-5161
dc.relation.numberinseries0
dc.relation.volume9
dc.type.versionpublishedVersion
dc.rights.copyright© 2016 Brattico, Bogert, Alluri, Tervaniemi, Eerola and Jacobsen. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY).
dc.rights.accesslevelopenAccessfi
dc.subject.ysomusiikki
dc.subject.ysoestetiikka
jyx.subject.urihttp://www.yso.fi/onto/yso/p1808
jyx.subject.urihttp://www.yso.fi/onto/yso/p5196
dc.rights.urlhttps://creativecommons.org/licenses/by/4.0/
dc.relation.doi10.3389/fnhum.2015.00676
dc.type.okmA1


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Näytä suppeat kuvailutiedot

© 2016 Brattico, Bogert, Alluri, Tervaniemi, Eerola and Jacobsen. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY).
Ellei muuten mainita, aineiston lisenssi on © 2016 Brattico, Bogert, Alluri, Tervaniemi, Eerola and Jacobsen. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY).