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dc.contributor.authorKondo, Junko
dc.date.accessioned2012-05-30T12:22:05Z
dc.date.available2012-05-30T12:22:05Z
dc.date.issued2012
dc.identifier.otheroai:jykdok.linneanet.fi:1217749
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/37928
dc.description.abstractThis thesis investigates public art and art festivals in the West, and a large scale art project in Japan, Benesse Art Site Naoshima, which is yet to be defined its place in the academic world. Through the case study of Benesse Art Site Naoshima, public art, site-specific art, art festivals, and a role of art museums are discussed. There are two parts to the thesis: (1) a brief survey of public art and site-specific art (of which has roots in Land art) and, (2) the case study of Art Site Naoshima which advocates the revitalization of rural communities through arts. The central aim of this thesis is to examine a wide range of art practices which is inspired not only by the topography of a chosen site but also by the historical, social, and political background of a specific site and how the locals (the local residents and the visitors) interact and benefit from such art practice. Simply put, the focus of my research is to investigate how site-based interactive art practices which address shared social values of a specific locality, social and historical heritage of a place, and everyday scenes (customs, daily routines and habits,) would be viewed and experienced by the audience. This expanded field of art practices outside “white cube” (O’Doherty, 2007) seems to break a boundary between art objects and the audience by offering a mutual point (a site) and interactivity (physical interaction to the site). A site as the nexus of culture and life, the audience’s experience based on the interaction to site-specific artworks would be discussed and examined. In doing so, I am hoping to have a critical view on this tentative art practices which tend to engage the audience regardless of having interest in art or not.
dc.format.extent144 sivua
dc.language.isoeng
dc.rightsThis publication is copyrighted. You may download, display and print it for Your own personal use. Commercial use is prohibited.en
dc.rightsJulkaisu on tekijänoikeussäännösten alainen. Teosta voi lukea ja tulostaa henkilökohtaista käyttöä varten. Käyttö kaupallisiin tarkoituksiin on kielletty.fi
dc.subject.otherurban regeneration
dc.subject.othercommunity revitalization
dc.subject.otheroutdoor art exhibition
dc.subject.othersite-specific art
dc.titleRevitalization of a community site-specific art and art festivals : a case of art site Naoshima
dc.typeBooken
dc.identifier.urnURN:NBN:fi:jyu-201205301764
dc.type.dcmitypeTexten
dc.type.ontasotPro gradufi
dc.type.ontasotMaster's thesisen
dc.contributor.tiedekuntaHumanistinen tiedekuntafi
dc.contributor.tiedekuntaFaculty of Humanitiesen
dc.contributor.laitosTaiteiden ja kulttuurin tutkimuksen laitosfi
dc.contributor.laitosDepartment of Art and Cultural Studiesen
dc.contributor.yliopistoUniversity of Jyväskyläen
dc.contributor.yliopistoJyväskylän yliopistofi
dc.contributor.oppiaineTaidekasvatusfi
dc.contributor.oppiaineArt Educationen
dc.date.updated2012-05-30T12:22:05Z
dc.rights.accesslevelopenAccessfi
dc.contributor.oppiainekoodi311
dc.subject.ysotaidenäyttelyt
dc.subject.ysofestivaalit
dc.subject.ysotaidetapahtumat
dc.subject.ysojulkinen taide
dc.subject.ysoalueellinen identiteetti
dc.subject.ysotaidemuseot


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