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dc.contributor.authorGligorijevic, Jelena
dc.date.accessioned2012-03-20T05:46:42Z
dc.date.available2012-03-20T05:46:42Z
dc.date.issued2012
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/37609
dc.description.abstractThe present paper seeks to establish the distinction (if there is any) between contemporary ethnomusicology and cultural musicology by using my own Ph.D. research project as a case study. One way to approach this task is to assess the extent to which the very topic and objectives of my Ph.D. project, as well as at the theories and methodologies used, correspond to the current tendencies in the two fields of studies. The aim of such a survey is twofold: one is to open a debate on the (im)possibility of drawing clear disciplinary boundaries, and the other is to try and position my Ph.D. research along disciplinary lines.fi
dc.language.isoeng
dc.subject.othercultural musicologyen
dc.subject.otherethnomusicologyen
dc.subject.othermonitieteinen musiikintutkimusfi
dc.titleExploring Disciplinary Boundaries between Eth-nomusicology and Cultural Musicology through My Own Ph.D. Research Projectfi
dc.typeArticleen
dc.identifier.urnURN:NBN:fi:jyu-201203201453
dc.type.dcmitypeText
dc.contributor.laitosMusiikin laitosfi
dc.contributor.laitosDepartment of Musicen
dc.type.urihttp://purl.org/eprint/type/ConferencePaper
dc.contributor.publisherJyväskylän yliopisto, Musiikin laitos
dc.rights.accesslevelopenAccessfi
dc.relation.conferenceMonititeteinen musiikintutkimus. Suomen Musiikintutkijoiden 16. Symposium - The 16th Annual Symposium for Music Scholars in Finland Jyväskylä 21.-23.3.2012


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