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dc.contributor.authorLehmann, Christian
dc.contributor.authorWelker, Lorenz
dc.contributor.authorSchiefenhövel, Wulf
dc.date.accessioned2009-12-16T17:51:22Z
dc.date.available2009-12-16T17:51:22Z
dc.date.issued2009
dc.identifier.citationLehmann, C., Welker, L. & Schiefenhövel, W. (2009). Towards an ethology of song: categorization of musical behaviour. Musicae Scientiae, Special issue 2009-2010, 321-338.
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/22594
dc.description.abstractThis paper deals with the differentiation and adaptive significance of musical, particularly singing behaviour. We discuss the relationship of speech and song and define song as a musical mode of speech. We argue for a focus on singing as the primary form of musical expression and discuss universal functions of singing as a mode of human communication and their possible adaptive significance. Starting from these universal capacities, from a number of recently discussed candidates for adaptive functions, and from the record of various cultural gender and biological sex differentiations related to music, a categorization of musical (particularly singing) behaviour, primarily based on sex differentiation, is proposed.en
dc.language.isoengen
dc.subject.otherhuman ethologyen
dc.subject.othersongen
dc.subject.othermusical behaviouren
dc.subject.othersex differencesen
dc.subject.otheradaptationen
dc.titleTowards an ethology of song: categorization of musical behaviouren
dc.typeArticleen
dc.identifier.urnURN:NBN:fi:jyu-201804202227
dc.rights.accesslevelrestrictedAccess


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