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dc.contributor.advisorHuovinen, Erkki
dc.contributor.authorKeipi, Aaro
dc.date.accessioned2016-05-25T06:37:17Z
dc.date.available2016-05-25T06:37:17Z
dc.date.issued2016
dc.identifier.otheroai:jykdok.linneanet.fi:1542083
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/49916
dc.description.abstractThe purpose of this study was to identify the naturally occurring approaches that musicians use to improvise and to analyse the relationships between the approach used, the improviser’s musical experience, and the quality of the resulting improvisation. 16 participants took part in three group improvisation and discussion sessions, and the improvisations of the final session (80 in total) were recorded and rated by experts on emotions- and quality-related aspects. The approaches mentioned by participants in the final session were organised into five distinct categories: technical, musical inspiration, nuanced emotion, visualized scene, and personal experience. Significant negative correlations were found between the technical approach and two distinct ratings for the quality of the resulting improvisation. No significant correlations were found between musical experience and the tendency to use a particular approach. Finally, two methods of organizing the approaches were proposed: (1) a scale of that places all five approaches to improvisation on a single continuum with cognitive and intuitive extremes and (2) a multi-layer categorization to use with multiple complementary approaches.en
dc.format.extent1 verkkoaineisto (55 sivua)
dc.format.mimetypeapplication/pdf
dc.language.isoeng
dc.rightsJulkaisu on tekijänoikeussäännösten alainen. Teosta voi lukea ja tulostaa henkilökohtaista käyttöä varten. Käyttö kaupallisiin tarkoituksiin on kielletty.fi
dc.rightsThis publication is copyrighted. You may download, display and print it for Your own personal use. Commercial use is prohibited.en
dc.subject.otherMusic
dc.subject.otherimprovisation
dc.subject.otherpedagogy
dc.subject.otherteaching methods
dc.subject.othercreativity
dc.subject.otheremotion
dc.titleThe inspiration in improvisation : identifying and classifying the approaches to emotion-based musical improvisation
dc.title.alternativeIdentifying and classifying the approaches to emotion-based musical improvisation
dc.identifier.urnURN:NBN:fi:jyu-201605252691
dc.type.ontasotPro gradu -tutkielmafi
dc.type.ontasotMaster’s thesisen
dc.contributor.tiedekuntaHumanistinen tiedekuntafi
dc.contributor.tiedekuntaFaculty of Humanitiesen
dc.contributor.laitosMusiikin laitosfi
dc.contributor.laitosDepartment of Musicen
dc.contributor.yliopistoUniversity of Jyväskyläen
dc.contributor.yliopistoJyväskylän yliopistofi
dc.contributor.oppiaineMusic, Mind and Technology (maisteriohjelma)fi
dc.contributor.oppiaineMaster's Degree Programme in Music, Mind and Technologyen
dc.date.updated2016-05-25T06:37:17Z
dc.rights.accesslevelopenAccessfi
dc.type.publicationmasterThesis
dc.contributor.oppiainekoodi3054
dc.subject.ysomusiikki
dc.subject.ysoimprovisointi
dc.subject.ysoopetusmenetelmät
dc.subject.ysoluovuus
dc.subject.ysotunteet
dc.format.contentfulltext
dc.type.okmG2


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