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dc.contributor.authorMotoyoshi, Tatsuo
dc.contributor.authorKawakami, Hiroshi|Shiose, Takayuki
dc.contributor.authorKatai, Osamu
dc.date.accessioned2009-08-03T06:29:24Z
dc.date.available2009-08-03T06:29:24Z
dc.date.issued2009
dc.identifier.urihttps://jyx.jyu.fi/handle/123456789/20904
dc.description.abstractThis paper proposes a logical framework that visualizes musicians' conceptual structures that are acquired in skill communication processes for musical expression as rhetoric. Generally, these conceptual structures are difficult to show difference between experts and beginners. So, we first carry out a theoretical analysis of musicians' awareness for musical expression using Channel theory and Formal Concept Analysis (FCA). Then, we propose a representation that shows the level of musicians' skills of musical expression. Finally, we discussed about hierarchy of musicians' conceptual structure.en
dc.format.extent362-365
dc.language.isoeng
dc.subject.otherFormal Concept Analysisen
dc.subject.otherMusical Expressionen
dc.subject.otherSkill Communicationen
dc.titleFormal Concept Analysis of Musicians' Awareness for Musical Expressionen
dc.typeArticleen
dc.identifier.urnURN:NBN:fi:jyu-2009411300
dc.type.dcmitypeText
dc.rights.accesslevelopenAccessfi
dc.relation.conferenceESCOM 2009 : 7th Triennial Conference of European Society for the Cognitive Sciences of Music


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  • ESCOM 2009 [101]
    7th Triennial Conference of European Society for the Cognitive Sciences of Music

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