The role of loudness in detection of surprising events in music recordings

DSpace/Manakin Repository

Show simple item record

dc.contributor.author Holonowicz, Piotr
dc.contributor.author Herrera, Perfecto
dc.contributor.author Purwins, Hendrik
dc.date.accessioned 2009-08-03T06:23:47Z
dc.date.available 2009-08-03T06:23:47Z
dc.date.issued 2009
dc.identifier.uri http://hdl.handle.net/123456789/20876
dc.description.abstract The abrupt change of loudness is a salient event that is not always expected by a music listener. Therefore loudness is an important cue when seeking for events in a music stream that could violate human expectations. The concept of expectation and surprise in music has become recently the subject of extensive research, however mostly using symbolic data. The aim of this work is to investigate the circumstances when a change of sound intensity could be surprising for a listener. Then, using this knowledge, we aim to build a computational model that analyzes an audio stream and points to potential violations of human expectation. In order to check the quality of human prediction, an online (web-based) experiment, based on a gambling paradigm, has been performed. The subjects, after listening to an excerpt from real recordings of classical music, were asked to bet on how loud would be the next continuing seconds. . The results of the survey have shown that the moments of sudden changes of intensity more likely caused mispredictions, however it is obvious that the loudness itself is not the only factor that determines human expectations. en
dc.format.extent 193-199
dc.language.iso eng
dc.subject.other surprise en
dc.subject.other anticipation en
dc.subject.other music en
dc.subject.other cognition en
dc.subject.other Bayesian Networks en
dc.subject.other modeling en
dc.title The role of loudness in detection of surprising events in music recordings en
dc.type Article en
dc.identifier.urn URN:NBN:fi:jyu-2009411260
dc.identifier.conference ESCOM 2009 : 7th Triennial Conference of European Society for the Cognitive Sciences of Music

This item appears in the following Collection(s)

Show simple item record