Is incidental re-creation likely to happen in pop music?

DSpace/Manakin Repository

Show simple item record

dc.contributor.author Frieler, Klaus
dc.contributor.author Riedemann, Frank
dc.date.accessioned 2009-08-03T06:23:00Z
dc.date.available 2009-08-03T06:23:00Z
dc.date.issued 2009
dc.identifier.uri http://hdl.handle.net/123456789/20869
dc.description.abstract In this study we try to address the question, if independent (re-)creations are likely to happen in pop music. The interest in this topic stems from the fact that the claim of an “independent creation” is a common defense strategy in copyright infringement law suits. We conducted a main experiment in which subjects were asked to invent short, “catchy” pop melodies to a given backing track over a very common chord sequence (I VI IV V). Additionally, we incorporated 5 melodies from hit songs over the same chords in a comparable tempo. The collected melodies were examined for similarities, between participants’ melodies and hit songs on the one hand and in between participants’ songs on the other. In each case at least two melody pairs with high similarity were found. A deeper analysis of these cases revealed that indeed independent (re-)creations might have taken place. en
dc.format.extent 141-146
dc.language.iso eng
dc.subject.other Melodic similarity en
dc.subject.other creativity en
dc.subject.other copyright infringement en
dc.title Is incidental re-creation likely to happen in pop music? en
dc.type Article en
dc.identifier.urn URN:NBN:fi:jyu-2009411252
dc.identifier.conference ESCOM 2009 : 7th Triennial Conference of European Society for the Cognitive Sciences of Music

This item appears in the following Collection(s)

Show simple item record