Haku
Aineistot 1-9 / 9
Grounding in musical interaction: Evidence from jazz performances
(2008)
This study explores the issue of mutual understanding between musicians in improvised performance. It attempts to describe how improvising musicians indicate to each other that they have grasped each other's expressive ...
If music is the food of love, what about survival and reproductive success?
(2008)
This article departs from many discussions of the origin, evolution, and adaptive function(s) of music by treating music not as perceptual qualities (pitch, timbre, meter), formal elements (prosody, melody, harmony, ...
Music, musicality, "musilanguage"
(2008)
The aims of this article are to select, to summarise, and to critically discuss the principal topics presented in the papers of this special issue. Two main themes have been developed: the first makes reference to the ...
Musicality and the human capacity for culture
(2008)
This paper proposes that the human capacity for musicality is integral to the human capacity for culture, and that the key feature of music that motivates its efficacy is its indeterminacy of meaning, or floating ...
Narrative, splintered temporalities and the unconscious in 20th century music
(2008)
Narrative structures the human experience of time, but does it also organise our musical experience? Behind this question lies another one, which concerns the narrative process itself: does it belong solely to the time ...
Phrasing and fragmented time in "pathological" mother-infant vocal interaction
(2008)
This paper presents the results of an ecological perturbation study of mother-infant vocal interaction. We compared the temporal organisation of spontaneous interactions between 3-month-old infants and mothers who ...
The musical art of infant conversation: Narratingin the time of sympathetic experience, without rational interpretation, before words
(2008)
Infants, like adults and many animals, move with rhythmic gestures that express motive states and changes of emotion and mood. But the communications of babies have a special creativity and message power. Infants are ...
The singing lesson. Phenomenology of the non-verbal dynamics appearing in studying the Instrument-voix
(2008)
The novelty of this approach lies in studying singing from the point of view the multifunctionality and polyvalence of the voice in all the typically plural dimensions that contribute to making it a unique instrument, ...