Haku
Aineistot 1-7 / 7
Alibis, and why performers don t have them
(2005)
Musical performers confront, deal with, and participate in musical "events". These musical events present the performer with a number of obligations to uphold. One particular kind of obligation precedes and overrides the ...
Book reviews
(2005)
Nonverbal behaviours in popular music performance: A case study of The Corrs
(2005)
The aim of this study was to investigate performer nonverbal behaviour in popular music performance in order to understand the use and functions of gestures, postures, and facial expression. To this end, the study begins ...
Studying a creative act with computers: Music performance studies with automated discovery methods
(2005)
The purpose of this article is to demonstrate how advanced computer methods may be able to provide new insights into a complex creative activity such as music performance. The context is an inter-disciplinary research ...
Interpretation and performance in Bryn Harrison s être-temps
(2005)
The majority of studies of performance focus on the tonal and metric music of the common-practice period, studied at the moment of performance rather than over a period of rehearsal, and usually divorced from the ...
Mastery through imitation: A preliminary study
(2005)
A paradox exists between the long history of teaching music through imitative strategies and the demand to possess original artistic insight. This article addresses this paradox by investigating the general musical ...
Creativity in performance
(2005)
This paper examines different ways in which the notion of creativity has been used in relation to performance, and discusses psychological research on the topic. A considerable amount of this research is concerned with ...