Haku
Aineistot 21-30 / 138
Grounding in musical interaction: Evidence from jazz performances
(2008)
This study explores the issue of mutual understanding between musicians in improvised performance. It attempts to describe how improvising musicians indicate to each other that they have grasped each other's expressive ...
Understanding our experience of music: What kind of psychology do we need?
(2005)
Background in the psychology of music. The historical development of the psychology of music largely followed that of psychology in general. In the 20th century it adopted the research methods and interests of cognitive ...
2008 Fall : Book reviews
(2008)
What s your music? Subjective theories of music-creating artists
(2009)
In an interview study with 17 music-creating artists (composers of contemporary classical music, electronic music, musicals, movie scores, and jazz musicians) from Southern Germany, three types of music-creating artists ...
A content-based music retrieval engine: JMIR-Mozart
(2009)
The rapid increase of storage capacity has brought along large-scale multimedia databases. To access such databases, content-based retrieval methods are needed in order to avoid the burden of handcraft involved in building ...
Memesatz contra Ursatz: Memetic perspectives on the aetiology and evolution of musical structure
(2010)
This article discusses the aetiology and evolution of musical structure, specifically the sonata-form exposition, from a memetic perspective. It regards established musical forms as replicated schemata arising from the ...
Patterns of modernization in Turkish music as indicators of a changing society
(2005)
Background in sociology. Turkish society has experienced a profound transformation since the late eighteenth century, that has stimulated an extensive social change in which traditional modes of cultural expression have ...
Constructions of jazz: how jazz musicians present their collaborative musical practice
(2006)
The collaborative processes of jazz improvising are of considerable academic interest as a unique form of creativity. While recent work highlights the utility of interviewing practitioners with the aim of gaining an ...
Using the same to make different. Analysis of a traditional musical repertoire based on centonisation
(2009)
This paper deals with music based on Centonisation, a compositional technique broadly used during the Middle Age, still at work in many musical traditions around the world. Based on a limited stock of melodic patterns, it ...
A general model for the dynamic functioning of musical systems
(2009)
This article presents an overview of a general model for the dynamic functioning of musical systems within an anthropological perspective. This theoretical approach is based on a set of conjectures: 1. Music fulfils an ...