Haku
Aineistot 11-20 / 138
Teamgeist im Orchester: Das Zusammenspiel zwischen Flow und Führung
(2006)
Der Beitrag untersucht Bedingungen und Effekte eines kooperativen Klimas unter den Musikern eines Symphonieorchesters. Ein kooperatives Klima, d.h. gegenseitige Wertschätzung und Zusammenhalt der Orchestermusiker, ...
Modelling experts notions of melodic similarity
(2007)
In this article we show that a subgroup of music experts has a reliable and consistent notion of melodic similarity, and that this notion can be measured with satisfactory precision. Our measurements enable us to model ...
Alibis, and why performers don t have them
(2005)
Musical performers confront, deal with, and participate in musical "events". These musical events present the performer with a number of obligations to uphold. One particular kind of obligation precedes and overrides the ...
Suppressing reflexive behaviour: Saccadic eye movements in musicians and non-musicians
(2006)
Musicians who practice from notation and sight read every day can be said to perform a special eye training and could therefore possibly be distinguished from non-musicians. If a difference between both groups could ...
Editorial
(2009)
The pulse of symmetry: On the possible co-evolution of rhythm in music and dance
(2009)
Darwin proposed that music and dance may be part of courtship display leading to reproduction, and hence preservation of genes. Sexual selection could act on either or both music and dance, but we argue it may act ...
Long-term melodic expectation: The unexpected observation of distant priming effects
(2009)
This report provides a brief account of an experiment whose control conditions produced interestingly counter-intuitive results. The method adapted priming techniques to explore whether imagining well-known melodies ...
Aesthetic responses to music: A questionnaire study
(2009)
We explored the content and structure of the cognitive, knowledge-based concept underlying aesthetic responses to music. To this aim, we asked 290 Finnish students to verbally associate the aesthetic value of music ...
Themes as prototypes: Similarity judgments and categorization tasks in musical contexts
(2007)
Similarity judgments and corresponding categorizations often differ, as the former does not predict the latter (Keil, 1989). Prototype-based models suggest that categorization emphasizes features which distinguish ...
Book reviews
(2005)